18-1
Coverage means more than just recorded the production. Good coverage requires:
1. Repetition
2. Overlap
3. Variety and Protection
4. Cutaways - shots that show information other than the main action
18-2
Good continuity within a program/video production "appears to be a single continous presentation that has no mismatches in information, action, or screen direction" (Stinson 345).
18-3
Three styles of coverage:
1. Repition
2. Overlap
3. Variety and Protection - varying angles helps make invisible edits and tends to hide small mismatches between different takes.
18-4
Three types of screen direction.
1. Look
2. Movement
3. Convention - how the screen is displayed, for example a car traveling from New York to California is going from left to right on a map, therefore it is displayed that way on the screen.
18-5
Action line is an imaginary line seperating camera and subject. Keeping the camera on its side of the line maintains screen direction.
Friday, May 27, 2011
Tuesday, May 10, 2011
17-1 - 17-5
17-1:
Four main tasks that a video director must have to have the ability to juggle: 1. Communication, 2. Performance, 3. Editing, and 4. Camera.
17-2
Inexperienced directors have problems with important information because they tend to omit it.
17-3
When adding emphasis to information you have several tools to use. These four tools are: 1. Image Size, 2. Composition, 3. Camera Angle, and 4. Shot Duration.
Shot Duration is the control of how long you show a certain piece of information on the screen.
17-4
Feeling can be created utilizing camera angles, image sizes, shot lengths, lens perspectives, camera movement as well as other tools. A director can represent feeling within a series of shots by image size. Image size controls the emotional impact created.
17-5
Four ways a director can assist actors with being effective on camera: 1. Turn off the tally light, 2. Keep actor movements simple and natural, 3. Use cue cards and 4. Create marks on the floor for the actor's convience.
Four main tasks that a video director must have to have the ability to juggle: 1. Communication, 2. Performance, 3. Editing, and 4. Camera.
17-2
Inexperienced directors have problems with important information because they tend to omit it.
17-3
When adding emphasis to information you have several tools to use. These four tools are: 1. Image Size, 2. Composition, 3. Camera Angle, and 4. Shot Duration.
Shot Duration is the control of how long you show a certain piece of information on the screen.
17-4
Feeling can be created utilizing camera angles, image sizes, shot lengths, lens perspectives, camera movement as well as other tools. A director can represent feeling within a series of shots by image size. Image size controls the emotional impact created.
17-5
Four ways a director can assist actors with being effective on camera: 1. Turn off the tally light, 2. Keep actor movements simple and natural, 3. Use cue cards and 4. Create marks on the floor for the actor's convience.
Thursday, May 5, 2011
16-1 - 16-5
16-1
A microphone is "a device that translates the original noise created by a pattern of moving air into an electrical signal that closely imitates that pattern" (Stinson 302).
16-2
The types of microphones that we use in video class everyday are independent mikes, user-worn mikes and cabled mikes. A cabled mike is exactly what it sounds as, being a microphone communicated via special cables.
16-3
Two ways a microphone can transmit a signal is 1. cable transmission and 2. radio transmission.
16-4
Professional productions use separate mikes for recording audio, instead of using the camera's built-in microphone. True
16-5
Lavaliere microphones have a(n) narrow pickup pattern
A microphone is "a device that translates the original noise created by a pattern of moving air into an electrical signal that closely imitates that pattern" (Stinson 302).
16-2
The types of microphones that we use in video class everyday are independent mikes, user-worn mikes and cabled mikes. A cabled mike is exactly what it sounds as, being a microphone communicated via special cables.
16-3
Two ways a microphone can transmit a signal is 1. cable transmission and 2. radio transmission.
16-4
Professional productions use separate mikes for recording audio, instead of using the camera's built-in microphone. True
16-5
Lavaliere microphones have a(n) narrow pickup pattern
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